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Dance Star Matthew Ball on Demanding Roles and Online Scrutiny: 'I'm Not Protective About My Body'

In the hushed ambiance of a hotel bar near London's prestigious dance company, Matthew Ball orders a mint tea. The dancer's carriage is naturally straight-backed, his limbs defined beneath a plain white T-shirt. On stage, ballet dancers can appear like mighty deities, yet often offstage they are small. Not so Ball, whose height is part of his popularity for heroic roles and partnering. With fine traits and piercing eyes, there's a touch of Robert Pattinson about him.

An Apparent Rise to the Top

At 31, Ball is experiencing the peak of a career that has progressed seamlessly. Raised in Liverpool, he faced minimal teasing for his early interest in ballet. Joining the Royal Ballet School at 11, he moved straight into the troupe and was promoted annually, reaching the highest position of lead dancer in 2018. He has relished tackling substantial characters, especially the psychological turmoil found in a famed choreographer's works.

"Your breath is short, your legs get heavy, but it’s really a mental fatigue."

Ball's upcoming featured role is as himself, in an "Evening With" event designed to offer behind-the-scenes insights into a dancer's art. He will walk the crowd through a role, showing his mental workflow during execution. Even in more comedic ballets, the test is significant. "Don Quixote is one of the toughest from a skill perspective," he states.

The Psychological Struggle and Post-Performance Emotions

How does he feel following a performance, when he has succeeded? "It's pretty good," he says. "But because I'm trying to squeeze all the juice out of it, and get lost in the role, frequently I do feel embarrassed afterwards. After an intense role I'm always like: Wow, what must people think?"

In person, Ball is reflective, polite, and prone to laugh at himself. But a dance maker once observed on a "kind of suffering in him." Is there? "I am very active in general, but I do have a dark side," he reveals. "I somewhat enjoy pessimism sometimes. I've always felt that doubt has been an instigator for positive change."

Formative Drivers and Artistic Influences

His tenacity stemmed from early setbacks. Not excelling in competitions at school made him "vengeful!" This became fuel to demonstrate he could achieve. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit obsessive," he recalls.

The next endeavor is making his own dance works. For Ball, "organic movement has value." "Challenging the rules is compelling, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be filled with meaning, drawing inspiration from literature, compositions, and painting.

Intimate Performance and Private Dynamic

He also is interested in staging dance in more intimate spaces. "It was just really thrilling," he says of a previous experience. "You’re so close to the audience. I felt as if they were thinking: 'That’s a human, and they’re sweating.'"

Ball has made duets with his partner, fellow principal Mayara Magri. The level of trust between them is clear. "We first practiced on a beach," he says of a daring lift. "It was like Dirty Dancing." They aren’t typically paired on stage at their main theater, which might be healthy. "We’re both quite strong-willed people, so it’s not always hunky dory," he admits. "But I feel like we’re each other’s biggest supporter."

Regarding Instagram and Physical Image

On Instagram, followers can see clips from his dance films and images that highlight a athletic form. Does he mind that the engagement can be somewhat focused on appearance? Not particularly. "The body is just what we work with, so I don’t feel very precious about it," he explains. He compares it to seeing Michelangelo’s David—something that can be seen on various ways.

Ball describes his younger self as "eager for success." Has it met his expectations? "I feel very aware of how life is a different thing to the aspirations you had as a young person," he muses. He likely has about ten years of performing ahead. "I suppose in the future, I want to be a bit more gentle with myself."

JF
The writer

Jennifer Fuller

James Whitfield is a freelance film journalist with a passion for uncovering the hidden gems of London's cinematic landscape.

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